Written in a month by month journal style, Shenandoah Watercolors follows a year in my life on our farm in the Shenandoah Valley of Virginia. This collection of word paintings begins in May 2003 and concludes at the end of May 2004––a highly significant year for our family as it turned out.
Uncertain what route to pursue regarding its publication, I set it aside and continued to work on my fictional historicals for The Wild Rose Press. However, my mother showed Shenandoah Watercolors to a local historian who insisted it beautifully captured a vanishing way of life and must be published, an insistence that nagged at the back of my mind. With the evolution of the eBook world I decided to self-publish and share Shenandoah Watercolors with my fans.
My mother, Pat Churchman, did the spectacular cover and was of immeasurable help in editing this book, reading it over and over. We originally intended to include some of her wonderful photographs of the valley and mountains, but the enormous undertaking involved was too daunting. As it was, I had to hire an editor to format the manuscript for epub, not as easy as you might think. So I invite you to explore this blog where many of mom’s photographs are featured in various posts on gardening and rural life.
Description of Shenandoah Watercolors:
Author/farm wife Beth Trissel shares the joys and challenges of rural life on her family’s small farm located in the scenic Shenandoah Valley of Virginia. Journey with her through the seasons on the farm, owned by her family since the 1930′s, and savor the richness of her cherished gardens and beloved valley. This journal is a poignant, often humorous, sometimes sad glimpse into a vanishing way of life for anyone who loves or yearns for the country and even those who don’t.~
At the time of THROUGH THE FIRE, the Virginia colonial frontier was vast. The fort assault in the story is a compilation ofassaultsI researched with the invaluable aid of a local anthropologist-archeologist who goes on frequent digs to try to discover the sites of these old Virginia forts.
The number ofCatawbawarriors involved in the novel is a stretch as there were never that many taking part in apitched battlein Virginia, however the tribe fought for the Britishduring the French and Indian War, and were fierce enemies of theShawnee. Plus the Catawba often sent war parties into the Virginia frontier. The warriors thought nothing of traipsing from their home base in the Carolinasto kick but in Virginia and farther north. A hardy, resourceful, and tenacious people as were other tribes such as the Shawnee whom I feature in my work .
A great deal of conflict withNative Americansoccurred in the Virginia frontier–more than we know because people were too busy fighting to survive to record it all. Historian Joseph Waddell says we know only a fraction of the drama that occurred in the Virginia frontier during the Indian Wars. Historians can only conjecture as to the rest of it all.
One point I disagree with in the film is the implication that the only land available to poor people was somewhere farther north in New York State. Heck, plenty of Scots-Irish headed back into the Alleghenies to stake out homesteads and erect forts. Other than this, I felt the film was mostly correct and is one of my all-time favorites.
Back toTHROUGH THE FIRE, the opening was inspired by a dream in which I saw the heroine, Rebecca, her sister Kate, the attack on the frontiersmen the women were traveling with, Rebecca’s fall from the horse, Kate’s escape on her mount, and the hero, Shoka’s, arrival on the scene. All of this made a vivid impression on me. Also, that Shoka didn’t approve of Rebecca.
Research on top of research, yet more dreams, and inspiration followed to bring this novel to completion, along with the help of historians and the Shawnee themselves. A letter I came across from Virginia’sGovernor Dinwiddie(a prodigious letter writer) asking what happened to the militia he sent out fromFort Loudonin Winchester to a fort in the interior of the Virginia frontier also lent inspiration to the ‘what ifs’ behind the novel.
Yes, this adventure romance has aThe Last of the Mohicansflavor, but it was never my intent to reproduce that story, and many elements ofThrough the Fireare quite different, including its mystical weave. Research into my colonial Americanroots were the initial impetus for the leap into writing this and my other American historical romances.
My fascination with stirring tales of the colonial frontier and Eastern Woodland Indians is an early and abiding one. My English/Scot-Irish ancestors were among the first settlers of the Shenandoah Valleyand had family members killed and captured by the Indians. Some people returned and left intriguing accounts of their captivity, while others disappeared without a trace. On the Houston-Rowland side of the family, I have ties to Governor Sam Houston, President James Madisonand Malcolm 1st of Scotland.
Family annals list early names like Beale, Jordan, Madison, and Hite (a German connection I discovered). A brief account of my grandmother (nine generations removed) Elizabeth Hite, says her sister Eleanor was taken captive and sister Susan killed, though not by which tribe. Their brother Jacob was killed by the Cherokee in South Carolina.
Another ancestor, Mary Moore, is the subject of a book entitledThe Captives of Abb’s Valley. A Moffett forebear captured as a child became a boyhood companion of the revered Shawnee Chief Tecumseh. When young Moffett grew up, he married into the tribe and had a son, the inspiration behind my Native American historical romance novelRed Bird’s Song. An ancestor on the Churchman side of the family was invited by the Shawnee/Delaware tribes to help negotiate a treaty with the English because he was Quaker and more sympathetic to their plight.
In THROUGH THE FIRE, I invite you to journey back to a dramatic and fascinating time long forgotten by most.